Reed Slater prefers to think of himself as a colorist. Fluidity, sensuality, and grace are governing concerns. He tries to use his vessels and shapes to capture the play of light, and evoke an emotion in the viewer. He worships at the altar of Rothko and the traditions of Zen Buddhism. To that end, Reed would hope that his pieces are able to stop the world for a moment; and in doing so, one leaves their presence refreshed.

Reed began working in glass at San Francisco State University. The Department head, John Leighton, encouraged him to think of glassblowing as a team effort. To that end, he has continued to work with as many artists as possible in Northern California.

Reed’s life has been immeasurably enriched by the collaboration and contacts of the artistic community. He was fortunate to be able to attend the Penland School of Crafts in North Carolina where he studied with Mark Petrovic. Reed is currently a member of the non-profit organization Public Glass. He is a juried member of the Association of Clay & Glass Artists. He is also a member in good standing of the Glass Arts Society. And yes, he still believes we stand on the shoulders of giants.